The work of Bristol sound co-founder Geoff Barrow, this scabrous though slight debut feature casts a critical gaze on 90s rave culture. Venal pillhead David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to break into his own parents. Before you can say, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Confrontation
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The central theme – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Poacher arrives, fuming after David strangles his dog. Nevertheless, a grimly amusing standoff takes hold – David eager to get away; the Woodsman withholding his jerrycan of cider, intent on dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
Just a single important plot development, but it results in a comically executed rampage on the woodland paths that dips close to rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the opening part, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film releases in UK and Irish theaters from 17 November.
